Other than that, it was done in the basement. That big, climatic break, I think everybody loves that one. So, not too much of a change, but a couple little tweaks that definitely made the song better. And then there’s the big stop in the third chorus -“For handing you a heart worth breaking”-that came to fruition during the pre-production session before we went into the studio to record. We flipped the chords around at the end we played them in a backwards order. The only thing that wasn’t really there is the outro. It was probably a little bit longer than ten minutes, but it wasn’t some six – month labor. Is that just a juicy rock and roll story? The folklore is that you wrote “How You Remind Me” in ten minutes. The 50 Best Deep Cuts of 2001: Staff List It’s funny, even if it was meant to be some kind of revenge, it doesn’t sound that way. “You kind of missed the point here, but I’m glad you like it.” And she was like, “Yeah, I liked it.” Instead of her getting the point, she turns to me and goes, “Whatever song you’re working on downstairs, it’s great.” Even the chorus … I thought that was my best revenge after a really s -tty argument. I had written the second verse, the whole “ C ause living with me must have damn near killed you ,” when it got to that part, I really wanted her to hear it. I wanted it to be really loud so she could hear everything I was saying. I would sing into a PA - there was an actual microphone in front of me - I wasn’t just singing into the room, so it felt like I was really delivering the song. I went downstairs and I turned on my PA system. We got into a fight about something stupid, like what most people fight about. We had been living together for a while, something like two-and-a-half years. I had the first four lines of the song written down in this black leather book that I was constantly jotting ideas into. The label and his bandmates had other things in mind.ĭo you remember writing “How You Remind Me”? Where did you write it? It makes sense that he would want to go with the heaviest song as the leadoff single. He loves Meshuggah, everything in that vein. Yeah, but that’s where Mike’s taste lies. What a different career you would’ve had ! “Never Again” is so heavy in comparison. We think we have something special here.” And everyone just kept saying, “Your life’s about to change.” We had no idea how much, but they were right. I think the first three songs that were in the category for first single were “Too Bad,” “Never Again,” and “How You Remind Me.” We sent them to the label and there was an unequivocal, “It’s going to be ‘ How You Remind Me ’ first. That’s why we don’t let Mike pick singles. Rumor has it Mike wanted “Never Again” to be the lead single instead of “How You Remind Me.” Is that true? Over Zoom from his home in Vancouver, B.C., Kroeger spoke to Billboard about “How You Remind Me,” Nickelback’s career-defining hit, the rock music landscape of the early 2000s, and just what it is like to become the “longest overnight success in the world, ” 20 years removed from that “ night. I think even some urban and country stations p layed i t.” I mean, HUGE! … There was a period I would get in the car and almost any station I’d hit on the radio you’d hear the song, whether it was rock, active rock, alt rock, hot AC, AC, pop, etc. ’ Little did I know how big it would ultimately become. “ It was a first listen, and I remember saying, ‘ Damn, that’s a big song, it is going to be a hit. “ To be honest, I got chills when the band played it for me ,” Burman says of hearing “How You Remind Me” for the first time. 6.) But it all started with “How You Remind Me.” which proved to be Nickelback’s calling card in later singles, like “Photograph” (which peaked at No. They had made it.įrom there, the ascent to stardom was swift: Sil ver Side Up ultimately went 6x platinum - largely thanks to the ubiquity of its lead single, but also the album’s moody melodies and chunky chord progressions. The band moved from clubs to arenas, passenger vans to tour buses. Eventually “How You Remind Me” became the most-played radio song of the entire decade - spun over 1.2 million times since its 2001 release - regardless of genre. In 2002, it was Grammy nominated for Record of the Year. 1 on the Billboard Hot 100 that same year. The song, a mid-tempo power-ballad about a relationship on the outs - a far cry from the album’s other singles, like “Never Again,” a metallic treatise on domestic violence, or “Too Bad,” which centers absent fathers - was an instant hit, peaking at No.
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